$300 Headphones at a Glance

I had a great afternoon today, courtesy of the team at Addicted to Audio (www.addictedtoaudio.com.au) I spent about an hour and a half in their audition room checking out a bunch of closed style headphones for around $300. I’m not going to try to give you a full-blown review for all of them, but thought a little description of each pair might be helpful. Here goes…

Shure SRH840 (approx. $200)

Shure SRH840

Having read lots of good things about the 840s, I came in with them high on my shortlist and they didn’t disappoint. The 840s have a warm, but detailed and balanced sound. They’re very easy to listen too, but not boring. Of all the phones I listened to today, the 840s probably had the sweetest midrange. The sound of rim-shots (when the drum stick is used against the metal rim of a drum) sound very warm and woody – just like they should.

Pros: The 840s are easy to drive and ran perfectly from iPod and laptop. They’re also comfortable on the head and have good padding all around.

Cons: My only real issue with these phones is the small cable running outside of the body of the headphones. Just about each cup, a small cable comes out of the housing and then loops back into the cup. This is obviously to allow for adjustment, but leaves a potentially fragile piece of the headphones exposed to accidental damage.

Verdict: These are still very much on my mind and may yet be my final choice given they are so easy to drive. They’re not as exciting to listen to as the Ultrasones, but they are more comfortable and have a beautiful smooth sound signature while still being detailed and crisp. They’re also a great deal at just under $200.

Ultrasone HFI 580 (approx. $250)

Ultrasone HFI 580

I knew nothing about the 580s going into this afternoon, but considered them because of their price and the fact that they’re easier to drive than the 680s. I was told that they are more bass oriented than the 680s, but can’t say that I was overly aware of that.

Having already listened to some other headphones, the 580s weren’t as good and therefore left the shortlist fairly quickly. That said, they’re a very capable headphone and would definitely suit a lot of people, but I like a bit of extra high-end sparkle and detail. It’s a very subtle gap in the 580’s sound signature and it took direct comparisons to realise that the 680s gave me the sparkle that the 580s lacked – it’s very minor and those who prefer a slightly warmer sound will definitely like the 580s.

Pros: The soundstage is huge (for closed headphones) and the sound is lively, detailed and exciting.

Cons: Although solid, the construction is a bit plastic and they’re not as comfortable as some comparable headphones.

Verdict: The HFI 580s are off my shortlist, but only because they were outdone by their senior sibling, the 680s and that was only by a hair. They’re a great headphone with balanced sound, solid bass and a smooth, slightly less bright signature than some others.

Ultrasone HFI 680 (approx. $300)

Ultrasone HFI 680

The 680s were high on my shortlist after reading plenty of good things. They didn’t dissapoint. Plenty of punch, plenty of detail and that awesome Ultrasone soundstage. It’s important to note that the 680s really do need amplification. I listened to the Shure SRH840 and the Ultrasone HFI 680 side-by-side and alternated between them across a variety of music. Initially, I was listening through a dedicated headphone amp, but soon moved over to my iPod and then laptop so I could hear some music I was more familiar with. I wasn’t using amplification at this stage and started to be amazed at the difference between the SRH840s and the HFI 680s. At first I put it down to the music selection, but soon realised it was amplification. Once an amp was added, the 680s once again edged ahead of the 840s in terms of their lively detail and punchy presence.

Pros: Punchy, lively sound in a great big soundstage.

Cons:
As per the whole HFI range, the comfort isn’t as good as some alternatives and the build quality isn’t spectacular. Also, the significant difference between amped and un-amped performance means an amp is a must.

Verdict:
A great headphone for the dollars. I listened to some $1000+ phones today and kept coming back to the fact that I couldn’t justify the extra for the type of listening I do and for the minimal difference in sound. I’m not suggesting the more expensive headphones aren’t better, but the 680s do such a great job across the board that they’re ahead of most other closed cans in terms of bang-for-buck.
I’d highly recommend a listen to these if you have a device that will drive them effectively. I’m personally looking at something like a Nu Force uDAC-2 (approx. $200), but it takes the 680s up to around $500.

Audio Technica ATH-A900
(approx. $250)

Audio Technica ATH-A900

As a massive fan of the open style ATH-AD900s, it made sense to listen to their closed equivalent, the A900s. I’d heard that they have a “darker” sound, but didn’t yet know exactly what that meant – I had my theories, but it’s a very subjective term. I know understand exactly what those people meant. The top-end and bottom-end are just like the AD900s – crisp, detailed and awesome, but then came vocals… The closed design of the A900s make the mid-range sound very closed-in. The mid-range and vocals were muffled and crowded – not very enjoyable.

Pros: Beautifully made and insanely comfortable (like all similar style Audio Technicas with their 3D fitting system)

Cons:
The mid-range is so muffled and crowded that it completely smothers the rest of the sound – such a shame.

Verdict:
There are much better options out there for the price. I would take the Shure SRH840s anytime over the A900s.

Beyer-Dynamic T50p
(approx. $300)

Beyer-Dynamic T50p

I had seen these online, but knew little about them other than funky looks and a good, reliable brand. Straight out of the box they were the most impressive in terms of build quality and style of all the phones listed in this “At a Glance”. The only comparable quality of build is the Audio Technicas, but the T50ps are funkier in style (but that’s also a matter of taste).

Before talking about the sound of these it’s important to note that they were straight out of the box with no burn-in or general play time whatsoever so the following description needs to be taken with a grain of salt as it were…

The T50ps had an interesting sound signature. While detailed and neutral, there was something I couldn’t put my finger on at first, but after a few tracks I think the mid-range is a bit too forward and the top-end not quite forward enough. The bass is sublime for a small on-ear headphone. It’s tight, but with plenty of mass and presence and this continues up into the mids, but somewhere that outstanding start falls away. The T50ps reminded me of the AKG Q460 headphones which I’ll be reviewing very soon. They’re probably a touch better than the Q460s, but still lack a little sparkle at the top-end.

Pros:
They’re sexy, made of metal (i.e. high quality) and have a quality sound if you like warm, mellow signatures.

Cons:
The lack of sparkle at the top-end was a deal-breaker for me, but that was the only issue I could find so if you like the sound signature you’ll love these phones!

Verdict:
Probably a great option for some depending on your music and sound tastes. I’d love to own a pair from a design and quality point of view, but just not sure if I can justify it when I don’t like the sound style. That said, I haven’t had a chance to try them with slightly boosted treble.

At a Glance Overview

After plenty of listening and switching between sources and music tracks, I definitely gravitated towards 2 options. The Shure SRH840s and the Ultrasone HFI 680s were clearly the best of the bunch. For non-amplified use I think the Shures are a winner. For amplified use, the Ultrasones take a slight lead. The tricky thing now is that I haven’t yet auditioned the Ultrasone HFI 780s, but will do so before purchasing because they’re easier to drive from a non-amplified source. I’ll keep you posted…

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